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A detailed, authoritative portrait of a commanding figure in twentieth-century music.
Nadia Boulanger's life spanned nearly a century, and at her death she was still director of the American School of Music at Fontainebleau, which she helped found after World War I. Enormously influential, she taught many distinguished performers and composers―among them Aaron Copland, Virgil Thomson, and Elliott Carter. She helped American music gain worldwide recognition.For this first full biography, Léonie Rosenstiel has drawn on papers and records to which Boulanger gave her unprecedented access and also on numerous interviews. The result is a rich portrait of an important woman of our time.
- Sales Rank: #1295686 in Books
- Color: Multicolor
- Published on: 1998-03-17
- Released on: 2013-01-23
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.10" w x 6.10" l, 1.33 pounds
- Binding: Paperback
- 448 pages
About the Author
Léonie Rosenstiel was born and educated in New York. She is also the author of The Life and Works of Lili Boulanger.
Most helpful customer reviews
3 of 3 people found the following review helpful.
"It depends on you, dear friend"
By Music lover
I studied with Boulanger, for almost two years. What I miss most in this biography is a portrayal of Mlle's grace and charm, at least later in life. What she endured earlier because of gender and family situation would've sent weaker personalities to the madhouse, yet somehow she managed and continued to move forward--perhaps her faith helped her forgive (but not forget, e. g., Rachmaninoff)? As for Ravel, I suspect it was he who rebuffed her; like Saint-Saens, Ravel found her gender impossible to bear in the professional world. I'm sure it hurt her. But she respected and admired his work, allowing it to be performed often. As for her teaching philosophy/methods, read Paul Valery and Don Campbell. Then do a hundred Vidal basses.
3 of 4 people found the following review helpful.
I second the motion.
By Goggle-Eyed Slewfoot
There is a lot to relate to in this book. The description of Boulanger's overbearing mother brings back memories in which I thought my parents were overbearing. The description of Boulanger's problems in growing old frightened me, since I am approaching that stage myself.
Like Mr. Shapiro, I wondered why Boulanger couldn't get along with Ravel. That conflict is mentioned for the first time on page 114, phrased in such a way as to imply that the reader already knows about it. I wonder whether the author forgot to explain this, or whether she herself did not know.
I was disappointed that I did not learn more about how Boulanger came to be the composition teacher for most of the outstanding composers of her time. As an aspiring composer, I would like to take those techniques and apply them to myself. But the author does not promise such a discussion, so I can't hold her guilty.
1 of 1 people found the following review helpful.
A rewarding glimpse into the spread of fine musical literature of the early 20th century in Europe ...
By Robert Sherwood
A rewarding glimpse into the spread of fine musical literature of the early 20th century in Europe and its spread into America. The portrait of life in Paris from 1900 to the Second World War is illuminating, well beyond the insights the book gives into the life of Nadia.
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